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 Bartolommeo di Pagholo del Fattorillo

1472 - 1517

Italian Florentine High Renaissance Painter

Artistically Influenced by the Following Painters -  Raphael, Fra Angelico,  Leonardo da Vinci, Masaccio and Mariotto Albertinelli

Education - apprenticed in the studio of Cosimo Rosselli

Cause of Death - The friar became paralyzed  when he fell out of a window while working on a painting. He later contracted severe food poisoning after eating a great quantity of figs.  He developed a violent fever and died in several days later. He was just of forty-eight years of age.

 St. Thomas Aquinas
St. Thomas Aquinas Giclee Print
Bartolommeo, Fra
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 Ecce Homo
Ecce Homo Giclee Print
Bartolommeo, Fra
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 St. John the Baptist
St. John the Baptist Giclee Print
Bartolommeo, Fra
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About the Painter
 

Even as a small boy Fra Bartolommeo loved to draw and paint. While the other village boys were playing in the olive groves, young Bartolommeo could be found by the river sketching wild flowers. He was apprenticed to the studio of Renaissance master Cosimo Rosselli as a young age but was later influenced greatly by Venetian painters. Particularly when it came to his color choices and the religious nature of his work. His According to Fra Bartolommeo biographer, Leader Scott, " The year 1508 marks the Frate’s first acquaintance with the Venetian school, which was not without its influence upon him. Frequent interchange of visits took place between the Dominicans in the different parts of Italy; and Fra Bartolommeo took the opportunity then offered him of going to visit his brethren at Venice."


Fra Bartolommeo was a spiritual man as well as a gifted artist. A Tuscan born painter and a member of the Dominican Order, he strove to walk in the light of Jesus and preyed as much as he painted.  Bartolomeo fervently believed that talent should only be used to glorify God Holy Word. According to Renaissance scholar John C. Van Dyke "He was a religionist, a follower of Savonarola, and a man of soul who thought to do work of a religious character and feeling; but he was also a fine painter, excelling in composition, drawing, drapery, color. The painter's element in his work, its material and earthly beauty, rather detracted from its spiritual significance. He opposed the sensuous and the nude, and yet about the only nude he ever painted—a St. Sebastian for San Marco—had so much of the earthly about it that people forgot the suffering saint in admiring the fine body, and the picture had to be removed from the convent. In such ways religion in art was gradually undermined, not alone by naturalism and classicism but by art itself. Painting brought into life by religion no sooner reached maturity than it led people away from religion by pointing out sensuous beauties in the type rather than religious beauties in the symbol."

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  References -Fra Bartolommeo By Leader Scott