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Victorian Classicism "The only was for us to become great and possibly inimitable is to imitate the ancients." -- Johann Joachim Winckelmann, the great German scholar and art historian, from his treatise, Thoughts on the Imitation of Greek Works , published 1755
The followers of Victorian Classicism found inspiration in Classical Greek and Roman literature, art, and architecture. This style of painting has a distinctly original elegance. This British movement shares many of the same elements as the Pre- Raphaelites and many of the artists aligned themselves with both schools.
British Victorian Classicism favored Greek, Roman and Renaissance themes. Imagery centered around Biblical stories, Arthurian legends and mythology. According to Solomon Gessner, the great German painter and art historian, "By studying the works of Greek sculptors the painter can attain the sublimest conceptions of beauty, and learn what must be added to nature in order to give to the imitation dignity and propriety. Johann Wolfgang von Goethe: German poet, playwright, novelist, and philosopher argued that Greek art was an absolutely exemplary model from which a fixed canon determinative for the artists of all times could be derived; and that the composition of pictures should correspond strictly with the style of antiquity. Masters of Victorian Classicism include, Frederick Leighton, John William Waterhouse and George Frederick Watts. These painters had an extraordinary way of capturing nature's tempestuous, "untamed" qualities and yet, at the same time, create in the viewer an almost inspirational feeling of harmony and serenity. High drama, the natural world, and passion dominated the minds of these restless painters weary of conventional modern themes.
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