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Important 19th Century
French Impressionist Painters
Listed Alphabetically
Charles Angrand
(1854-1926) French,
Pointillist/Impressionist
Frédéric Bazille (1841 - 1870)
French,
Impressionist
Gustave Caillebotte (1848 - 1894)
French,
Impressionist
Armand Guillaumin (1841 - 1927)
French,
Impressionist
Henri Eugene Augustin Le Sidaner
(1862-1932)
French,
Impressionist
Édouard Manet (1832 - 1833)
French,
Impressionist
Claude Monet (1840 - 1926)
French,
Impressionist
Berthe Morisot
(1841-1895)
French,
Impressionist
Camille Pissarro
(1830-1903)
French,
Impressionist
Pierre-Auguste Renoir
(1841 - 1919)
French,
Impressionist
Alfred Sisley
(1839 - 1899)
French,
Impressionist
The Impressionist
Movement
The Impressionist style of
painting developed in the late 1870s in France. The painters wanted to
represent objects in an atmospheric veil, enveloped with light and air.
They were an intellectual and social group of artists whose members
sought to bring about a radical power shift in the world of art. The
movement was a reaction against
Academic art and
the notorious French Academy. They rebelled against the academic
organizations that controlled the French art world with an iron fist.
The movement began with Monet. According to French Art Historian Camille
Mauclair, "The very name "Impressionism" is due to Claude Monet. There
has been much serious arguing upon this famous word which has given rise
to all sorts of definitions and conclusions. In reality this is its
curious origin which is little known, even in criticism. Ever since 1860
the works of Manet
and of his friends caused such a stir, that they were rejected en bloc
by the Salon jury of 1863. The emperor, inspired by a praiseworthy,
liberal thought, demanded that these innovators should at least have the
right to exhibit together in a special room which was called the Salon
des Refusés. The public crowded there to have a good laugh. One of the
pictures which caused most derision was a sunset by Claude Monet,
entitled Impressions. From this moment the painters who adopted more or
less the same manner were called Impressionists. The word remained in
use, and Manet and his friends thought it a matter of indifference
whether this label was attached to them, or another. At this despised
Salon were to be found the names of Manet, Monet,
Whistler,
Bracquemont, Jongkind, Fantin-Latour,
Renoir, Legros,
and many others who have since risen to fame. Universal ridicule only
fortified the friendships and resolutions of this group of men, and from
that time dates the definite foundation of the Impressionist school."
Impressionism
was a rebellion against the painting traditions of the time and created
quite stir in the French Art world. the artists were ridiculed and on
occasion attacked in cafes by drunken art critics.
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