Islamic Manuscript Illumination
Manuscript Illumination started around the
first century AD and is related to
Egyptian
papyrology
(the art of ancient writing and painting on papyrus). The pages of the books were made out of goat or
sheep skins - called parchment or vellum. Islamic illuminators were
inspired by
Carolingian and
Byzantine
prototypes. The Koran contains beautiful calligraphy, and embellishment but was never illustrated with figures. Most Korans
began and ended with double pages of ornamentation and incorporated
intricate surah-chapter-headings and marginal decorations. Muslim
illuminators favored elaborately stylized vegetable and floral motifs.
Islamic miniature painters
were famous for their vivid colours, elegant brushwork,
ornamental borders and
masterful calligraphy. Favorite themes included, fierce
military battles, public beheadings and imperial ceremonies. Amazingly the vivid and
dazzling colors have not changed with time.
Manuscript illumination
was adored by
Islamic rulers and
high-ranking nobles.
Painters
were regularly commissioned by royalty and
Muslim clerics. Supplies
were extremely costly,
and included
ground up precious
stones and
gold and
silver leaf. The
labour involved was
tremendous and
illustrated manuscripts
often took years and
sometimes decades to
complete. Only the rich
and powerful could
afford to purchase such
masterpieces.
Most members of ruling
elite had a collection
of specially
commissioned illuminated
manuscripts.
These books were status
symbols and considered
to be as precious as
gold. The finest
miniature painters and
calligraphers were
famous, highly sought
after for their
incredible talent. They
often received
sumptuous gifts and even
estates from their rich patrons.