Italian Neoclassical Sculptor and Painter of the Roman School
Education - learned to the basics of sculpture from Giuseppe Torretto and later Torretto at Bassano
Cause of Death - typhoid fever in Venice, Italy
Antonio Canova is considered the greatest sculptor of the Neoclassical era. He began his education at the Venetian workshop of Giuseppe Bernardi Torreto, who stressed the dramatic Baroque style. Canova later became captivated by the writings of Winckelmann, who championed a return to the gracious order and serene dignity of Greek and Roman Art.
Cupid and Psyche are considered Canova's finest works. His compositions were based on smooth rhythmic lines, the harmony of figures and refined gestures, creating an atmosphere of lighthearted decorativeness.
The period is called neoclassical because its artists looked back to the art and culture of classical Greece and Rome. The spread of Neoclassical Art was primarily inspired by recent roman archeological excavations, including Pompeii and by art historian Johann Joachim Winckelmann. Winckelmann touted the homoeroticism of Greco-Roman art, "beauty is rather male than female. But the beauty of art demands a higher sensibility than the beauty of nature, because the beauty of art, like tears shed at a play, gives no pain, is without life, and must be awakened and repaired by culture. Now, as the spirit of culture is much more ardent in youth than in manhood, the instinct of which I am speaking must be exercised and directed to what is beautiful, before that age is reached, at which one would be afraid to confess that one had no taste for it.” His enthusiastic descriptions of art from Classical Antiquity encouraged an interest in Greek antiquities.
Require more information about Antonio Canova the famous Italian Neoclassical Sculptor and Painter of the Roman School art history? Type your query in art into the google search box below and poke around every nook and cranny of the known universe for information this subject.
If you feel you have worthwhile information you would like to
contribute we would love to hear from you. We collect essential
biographical information and artist quotes from folks all over
the globe and appreciate your participation. When submitting
please, if possible, site the source and provide English
translation. Email to
If you feel you have worthwhile information you would like to contribute we would love to hear from you. We collect essential biographical information and artist quotes from folks all over the globe and appreciate your participation. When submitting please, if possible, site the source and provide English translation. Email to email@example.com
|site map||prehistoric||entartete kunst||iconography||100 greatest paintings|
|links||illuminated manuscripts||top 50 painters||art supplies||book store|
References - Richard Muther, The History of Modern Painting, Henry and Co., London, 1896