|
|
|
|
|
|
|

Biography
Giorgio Barbarelli da Castelfranco was born in a small
town just outside of Venice. From an early age he exhibited
extraordinary
artistic abilities and was sent to Venice be trained under the legendary
Renaissance master Bellini. Giorgio was a striking young man, famous for
his handsomeness and strength. He earned the nickname "Giorgione" which
means "George the Great" in Italian, for his physical beauty and his
painting abilities. Giorgione was a master at using a newly developed
painting technique called sfumato or chiaroscuro. This technique
imparted a dramatic, almost dreamlike luminosity of light for which his
masterpieces are famous.
According to art historian and author, Bernhard
Berenson, "Giorgione
created a demand which other painters were forced to supply at the risk
of finding no favor. The older painters accommodated themselves as best
they could. One of them indeed, turning toward the new in a way that is
full of singular charm, gave his later works all the beauty and softness
of the first spring days in Italy. Upon hearing the title of one of
Catena's works in the National Gallery, "A Warrior Adoring the Infant
Christ," who could imagine what a treat the picture itself had in store
for him? It is a fragrant summer landscape enjoyed by a few quiet
people, one of whom, in armor, with the glamour of the Orient about
him, kneels at the Virgin's feet, while a romantic young page holds his
horse's bridle. I mention this picture in particular because it is so
accessible, and so good an instance of the Giorgionesque way of treating
a subject; not for the story, nor for the display of skill, nor for the
obvious feeling, but for the lovely landscape, for the effects of light
and color, and for the sweetness of human relations. Giorgione's
altar-piece at Castelfranco is treated in precisely the same spirit, but
with far more genius.
The young painters had no chance at all unless they undertook at once to
furnish pictures in Giorgione's style. But before we can appreciate all
that the younger men were called upon to do, we must turn to the
consideration of that most wonderful product of the Renaissance and of
the painter's craft—the Portrait."
The suggestion of melancholy,
perhaps also longing, is a strong theatrical element in almost all of his work. Giorgione's Pastoral Symphony, circa 1508, is one of the greatest masterpieces
of the High Renaissance. The artist died of plague at the height of his
fame in 1510.
|
|
|
About The High Renaissance
Period
Artists of the
Renaissance were elevated in social standing and their art was no longer
looked upon as simple handicrafts, but as divinely inspired creations.
The spirit of an era awoke, revitalized with knowledge and creativity.
The Venetians as a school were from the first endowed with exquisite
tact in their use of color. Seldom cold and rarely too warm, their
coloring never seems an afterthought, as in many of the Florentine
painters, nor is it always suggesting paint, as in some of the Veronese
masters. When the eye has grown accustomed to make allowance for the
darkening caused by time, for the dirt that lies in layers on so many
pictures, and for unsuccessful attempts at restoration, the better
Venetian paintings present such harmony of intention and execution as
distinguishes the highest achievements of genuine poets. Their mastery
over colour is the first thing that attracts most people to the painters
of Venice. Their coloring not only gives direct pleasure to the eye,
but acts like music upon the moods, stimulating thought and memory in
much the same way as a work by a great composer.
."
|
|
| |
|
|
|
|
|
Key Descriptive Words
and Phrases associated
with the Renaissance
Movement -
rebirth,
rediscovery of the classical world, publication of Della
Pittura, a book about the laws of mathematical perspective for
artists, sfumato, chiaroscuro, spiritually
significant,
illuminated
manuscript, idealized biblical themes,
scriptorium,
illuminator,
plague, Age of Discovery, curiosity about the natural world, realistic use of colours and
light, Old Testament stories, ethereal and
foggy backgrounds, Gospel parables, romanticized landscapes,
Christian symbolism.
Require more facts
and information
about Giorgione and the artists
of the renaissance era? Poke around
every nook and cranny of
the known universe for
information this
subject.
Search Here
© HistoryofPainters.com If you like this page and wish to share
it, you are welcome to link to it, with our thanks.
If you feel you have worthwhile information you would like to
contribute we would love to hear from you. We collect essential
biographical information and artist quotes from folks all over
the globe and appreciate your participation. When submitting
please, if possible, site the source and provide English
translation. Email to
millardmulch@gmail.com |
|
|
|
|