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The History of Art And The Curious Lives of Famous Painters

 

 

Giorgione

"Giorgione" means "George the Great" in Italian

1477-1510

Venetian Painter of the High Renaissance

Stylistically influenced by the following painters  -Leonardo da Vinci, Fra Bartolommeo and Giovanni Bellini

Education - apprenticed to Giovanni Bellini

Cause of Death -  Plague

 

 
 

Biography

Giorgio Barbarelli da Castelfranco was born in a small town just outside of Venice. From an early age he exhibited extraordinary artistic abilities and was sent to Venice be trained under the legendary Renaissance master Bellini. Giorgio was a striking young man, famous for his handsomeness and strength. He earned the nickname "Giorgione" which means "George the Great" in Italian, for his physical  beauty and his painting abilities. Giorgione was a master at using a newly developed painting technique called sfumato or chiaroscuro. This technique imparted a dramatic, almost dreamlike luminosity of light for which his masterpieces are famous. 

According to art historian and author, Bernhard Berenson, "Giorgione created a demand which other painters were forced to supply at the risk of finding no favor. The older painters accommodated themselves as best they could. One of them indeed, turning toward the new in a way that is full of singular charm, gave his later works all the beauty and softness of the first spring days in Italy. Upon hearing the title of one of Catena's works in the National Gallery, "A Warrior Adoring the Infant Christ," who could imagine what a treat the picture itself had in store for him? It is a fragrant summer landscape enjoyed by a few quiet people, one of whom, in armor, with the glamour of the Orient about him, kneels at the Virgin's feet, while a romantic young page holds his horse's bridle. I mention this picture in particular because it is so accessible, and so good an instance of the Giorgionesque way of treating a subject; not for the story, nor for the display of skill, nor for the obvious feeling, but for the lovely landscape, for the effects of light and color, and for the sweetness of human relations. Giorgione's altar-piece at Castelfranco is treated in precisely the same spirit, but with far more genius.

The young painters had no chance at all unless they undertook at once to furnish pictures in Giorgione's style. But before we can appreciate all that the younger men were called upon to do, we must turn to the consideration of that most wonderful product of the Renaissance and of the painter's craft—the Portrait."

 

The suggestion of melancholy, perhaps also longing, is a strong theatrical element in almost all of his work. Giorgione's Pastoral Symphony, circa 1508, is one of the greatest masterpieces of the High Renaissance. The artist died of plague at the height of his fame in 1510.

 

 

About The High Renaissance Period

Artists of the Renaissance were elevated in social standing and their art was no longer looked upon as simple handicrafts, but as divinely inspired creations. The spirit of an era awoke, revitalized with knowledge and creativity.

The Venetians as a school were from the first endowed with exquisite tact in their use of color. Seldom cold and rarely too warm, their coloring never seems an afterthought, as in many of the Florentine painters, nor is it always suggesting paint, as in some of the Veronese masters. When the eye has grown accustomed to make allowance for the darkening caused by time, for the dirt that lies in layers on so many pictures, and for unsuccessful attempts at restoration, the better Venetian paintings present such harmony of intention and execution as distinguishes the highest achievements of genuine poets. Their mastery over colour is the first thing that attracts most people to the painters of Venice. Their coloring not only gives direct pleasure to the eye, but acts like music upon the moods, stimulating thought and memory in much the same way as a work by a great composer.

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Key Descriptive Words  and Phrases associated with the Renaissance Movement rebirth, rediscovery of the classical world,  publication of Della Pittura, a book about the laws of mathematical perspective for artists,  sfumato, chiaroscuro, spiritually significant,  illuminated manuscript,  idealized biblical themes, scriptorium, illuminator, plague, Age of Discovery, curiosity about the natural world,  realistic use of colours and  light, Old Testament stories, ethereal and foggy backgrounds, Gospel parables, romanticized landscapes,  Christian symbolism.

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Major Painters of the Italian High Renaissance

Andrea del Sarto
Mariotto Albertinelli
Fra Bartolommeo
Jacopo Bassano
Giovanni Bellini 
Domenico Brusasorci
Giulio Campi
Domenico Di Michelino
Lorenzo Costa
Dosso Dossi
Francesco Francia
Garofalo
Ridolfo Ghirlandaio
Giorgione
Leonardo da Vinci
Lorenzo Lotto
Bernardino Luini
Michelangelo Buonarroti
Baldassare Peruzzi
Piero di Cosimo
Jacob Tintoretto
Marcantonio Raimondi
Raphael
Titian 

 

References - HISTORY OF PAINTING by Walter Pater

The Venetian Painters of the Renaissance by Bernhard Berenson