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Artists
Alphabetically
Symbolism
50 Greatest Paintings
Art Movements
Greatest Painters
Giovanni di Paolo di
Grazia
1403-1483
Italian,
Early
Renaissance Painter
of the
Sienese School
Influences:
Taddeo di Bartolo,
Simone Martini,
Ambrogio Lorenzetti
and
Duccio di Buoninsegna
Mediums - panel
painting, frescoes and
manuscript illumination
Cause of Death - old
age, he was 80

One of the Greatest
Painters Of All Time
Biography Information
and Facts About the
Artist
Giovanni di Paolo di
Grazia had a romantic
concept of God and man.
He believed the Bible
should be the sole
source of inspiration
for artistic expression.
He avoided dazzling
contrasts; his edges
were smooth and he
avoids all unnecessary
ornament, confining
himself to the sacred
content of his subject
matter.
The Sienna School was
the part of a vibrant,
rich tradition that
epitomized Giovanni di
Paolo di Grazia's living
and painting style. His
style was typified by a
certain whimsical
enthusiasm, and
carefully articulated
composition. Giovanni's
paintings became prized
by the church and royal
court for their unique
style of religious
mystery and fantastic
exuberance. His art was
intensely individual,
intensely human, and
overall intensely
spiritual. Church
commissioned paintings
created during the Early
Renaissance period were
the work of artists
permeated with religious
consciousness and with
the fervent
comprehension of the
omniscience and
omnipresence of their
God. Giovanni explored
in his art a new world
of harmony and grace,
but with a lyricism and
sensitivity to color
that became the
personification of
Sienese painting.
His greatest
masterpieces reflect his
search for mans
connection with Christ:
in his vision, his
material, and himself.
Foundations of the
Renaissance
The endless
curiosity of Renaissance
painters for all things
classical spurned them
on to study the human
body in ways not seen
since the ancients.
A change of
attitude was taking
place. Artists reveled
in their new found
passion, the passion for
beauty, for
sophistication, and for
elegance.
At the closing of the
fourteenth century there
was an awakening of the
senses. Italy felt the
awakening earlier than
the rest of Europe, and
felt it far more
powerfully. Its first
manifestation was a
limitless and
unquenchable curiosity,
urging people to find
out all they could about
the world and about man.
They looked around them
at the amazing building
that still stood, the
Roman forum, the
coliseum and realized
that something truly
great had preceded them.
People turned
enthusiastically to the
study of classic
literature and ancient
civilizations. They were
inspired by the vast
store-house of long
forgotten knowledge of
antiquity. Walter Pater
observed "No account of
the Renaissance can be
complete without some
notice of the attempt
made by certain Italian
scholars of the
fifteenth century to
reconcile Christianity
with the religion of
ancient Greece. "
The newly emerging
painting techniques
and styles were a
reflection of the
transformation that
was taking place in
Europe, the change
from the medieval
period to a more
enlightened, tolerant
society.
Artists, writers and
scholars were
flourishing.
Great states were
being created. Large
centers of commerce
were being founded.
High above the
turreted towers of the
castle and the peaked
roof of the town-hall,
rose the slender spire
of the newly built
Gothic cathedral.
Everywhere the world
was in transition. The
newly wealthy merchat
class, was becoming conscious
of their own strength
and were struggling to
throw off the yoke of
their feudal masters.
Key
Descriptive Words and Phrases associated with the Renaissance Movement
-
rebirth,
rediscovery of the
classical
world, publication of Della Pittura, a book about the laws
of mathematical perspective for artists, sfumato, chiaroscuro,
Savonarola,
spiritually significant,
illuminated
manuscript, idealized
biblical themes,
scriptorium,
illuminator,
Age of Discovery, axonometric
drawing, curiosity about the natural world, the works of
Dante, realistic use of colours
and light,
Bonfire
of the Vanities, Old Testament stories, ethereal and foggy
backgrounds, Gospel parables,
The Black
death,
romanticized landscapes,
Christian
symbolism.
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