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Rococo Art
1710-1750
The Art of Frivolity
About the Rocco Movement
'The Art of the
Aristocracy'
The
word is derived from
"rocaille" (pebble), but
the term referred in
particular to the small
stones and shells used
to adorn the interiors
of grottoes. Such shells
or shell forms were the
primary motifs in Rococo
ornament.
The
Rococo style began as a
backlash against
Baroque formality
and stuffiness. Unlike
Baroque, Rococo is not
concerned with religious
matters or dramatic
expression. The highly
decorative art and
design movement began in
Paris, France in the
early 1700s and is
sometimes called the
style of Louis XV (15th)
. The style is
profoundly symbolic of
the hedonism of the
European upper-classes.
Rocco
manner is characterized by graceful, enchanting,
lighthearted themes of
flirting and unrequited,
melancholic love among
the aristocracy.
Sentiment was expressed
over reason and
emotionalism was
expressed over
intellect.
Paintings are
animated and clever,
reflecting an impishly
sensual daydream.
Rococo Portraiture
Rocco
paintings feature
beautiful aristocrats
decked out in velvet,
elegant laces and rich
golden embroideries. The
figures are tall and
willowy, stylish and
charming. The faces are
presented as soft and
rosy, effeminate and
eternally young.
Noblemen are depicted
wearing feminine
coiffeurs, rouged lips
and cheeks, often
sporting high heels. The Rocco female figures
are delicate and light;
the faces, are childish
and sentimental. The
lines of the mouth curve
in soft mischief or in a
delicate enchanting
smile.
Characteristic of Rococo
art was paintings of
carefree aristocrats at
play in make-believe
settings. These romantic
scenes depict
luxuriously costumed
ladies and gentlemen
flirting, picnicking and
playing music at gallant
country parties.
The background scenery
is often a serene
natural setting with
delicate trees and
sprays of roses. Colors
are a profusion of
soothing, light pastels.
The Rococo movement was
initially restricted to
France, later spreading
to all of Europe and
above all to England.
The movement continued
to develop until the
arrival of
Neoclassicism which
attempted to return to
the purism of
classical antiquity.
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