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Thomas Hill
“The Artist of Yosemite"
1829-1908
American Landscape
Painter associated with
the Hudson River School
Artistically and
stylistically influenced
by the following
painters - Benjamin
Champney,
Thomas Cole,
Virgil Williams and
Frederic Edwin Church,
Education - Pennsylvania
Academy of Design
Cause of Death - natural
causes
Mediums - oil on canvas
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About the Artist
Thomas Hill immigrated to the United States from England
at the age of 15. He initially earned his living at various decorative
painting jobs. In his mid-twenties he studied art in Pennsylvania and
later Paris. The young painter was especially drawn to the romance and
adventure of landscape painting. His honed his painting skills while on
expeditions with fellow Hudson River School painters, often spending
weeks trekking across the White Mountains in New Hampshire and the
Hudson Valley. Hill believed that every landscapes had a distinct
personality, and a unique story to tell. In 1870, Hill bought a
home near San Francisco, California, so he could devote his painting
time exclusively to the majestic Yosemite Valley. During his lifetime
Hill’s paintings commanded enormous sums by 19th-century standards.
Railroad tycoons and land barons alike eagerly shelled out hefty sums
for a Hill original. He is best remembered for his dramatic Yosemite
Valley landscapes and skill at capturing the atmospheric effects of
light.
The Hudson River School
1825-1875
The Hudson River School was a mid-19th century American
art movement founded by Thomas Cole in 1825. The style was influenced by
European romanticism. The artists shared common design aesthetics
uniting them as a school despite their distinctive styles. The painters
focused on the American wilderness, particularly the Hudson River Valley
as well as the Catskill Mountains and Adirondack Mountains. The
paintings were spectacular and dramatic reflecting the wilderness
environment. The artists moved their studios out of doors and sketched
directly from nature focusing on the drama of light and shadow. Many
paintings depict a rugged landscape, dramatic sunrise or ominous
storm clouds brewing in the distance. The works were painstakingly
detailed and celebrate Gods divine handiwork in nature.
The mid 1850s was a time of unprecedented development for the young
nation, and the Hudson River painters depicted the vastness and beautify
of a country proud of its natural resources. They embraced nature
and showed a remarkable attention to detail within the natural
landscape. This school popularized the idea of Manifest Destiny
and came to symbolize American vitality, independence and nationalism.
As city life became increasingly chaotic, landscape painting be came
increasingly popular with the buying public. Almost every upper-middle
class Victorian home had at least one picturesque landscape hanging in
the parlor. The paintings were looked upon as a scenic oasis and a
visual retreat from modern life. Today, works by the Hudson River school artists are treasured as the
first uniquely American school of art and for their beauty and
significance to art, history and culture
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Key Descriptive Words
and Phrases associated
with the Hudson River
School-
unspoiled nature,
atmospheric lighting,
primeval landscape,
theatrical, Catskill,
Berkshire, White
Mountains, Walt Whitman,
American
Transcendentalists,
spiritual
transformation, dramatic
instincts, large scale
canvasses, Luminist,
Romantic school,
wilderness, New York,
symbolic language,
realism, Western Expansion and Manifest Destiny.
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Principle Artists
Associated With The
Hudson River School
Albert Bierstadt American
1830-1902
Thomas Cole, American,
1801-1848
Herman Herzog German, 1831-1932
Thomas Hill, English, 1829-1908
Thomas Moran
English born American1837-1926
George Inness American, 1825-1894
Frederic Edwin Church,
American, 1826-1900
George Loring Brown, American, 1814-1889
Thomas Chambers, English, 1808-1866
Asher B. Durand, American, 1796-1886
John
Frederick Kensett, American, 1816-1872
Jasper
Francis Cropsey, American, 1823-1900
Martin Heade,
American, 1819-1904
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