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Colijn de Coter


Northern Renaissance  Early Netherlandish, Antwerp School Painter

Stylistically influenced by the following painter - Rogier van der Weyden

The Holy Trinity with God the Father supporting Christ c. This artwork was originally the central part of a triptych by Colijn de Coter 

Colijn de Coter was born in Belgium. His altarpieces became acclaimed for their delicate, intense beauty and distinctive technical precision. The artist gained regional fame for his deeply thoughtful religious paintings. Colijn de Coter became one of the most important Northern Renaissance painters working in Antwerp in the 16th Century. Author James Edward Parrott descibes the city, "Antwerp, with its deep and convenient river, stretched its arm to the ocean, and caught the golden prize as it fell from its sister cities' grasp. No city except Paris surpassed it in population; none approached it in commercial splendour." 

James Edward Parrott further states "The city began to decline during the reign of Philip II., who was King of Spain and master of the Netherlands. In 1576 Spanish soldiers whose pay was in arrears broke into mutiny, and stormed and sacked several of the richest towns of Flanders, including Antwerp. Early in November of that year they entered the city, burnt more than a thousand houses, slew more than eight thousand citizens, plundered right and left, and behaved with the utmost cruelty. Such was the "Spanish Fury," which still forms a landmark in Flemish history. With the help of William of Orange, the Spaniards were driven out of Antwerp."

Key  Words, People and Principal Phrases, Characteristics Related to the Northern Renaissance Art Movement -  allegorical painting,  rebirth, invention of oil painting,   Hieronymus Bosch, Limbourg Brothers, Desiderius Erasmus,  Robert Campin, Jan Van Eyck, Jean Fouquet, Albrecht Dürer, Johannes Gutenberg, Johann Reuchlin, Martin Luther, rise of the merchant class, world landscape,  Low Countries, Protestant Reformation, Calvinisim, glazing, impasto, scriptorium, illuminator, invention of the printing press, woodcuts, engravings, Antwerp School, Guild of Saint Luke, commerce, Flemish School, Northern Europe,  Flanders, Bruges, renewed interest in classical learning,  mythological scenes, genre painting, landscapes, portraits, moralizing overtones, human vices, lust, paradise, spirituality, piousness, living a simple life, reformHuman Reasoning,  tradesmen at work, idyllic scenes of peasantsplaying games, feasting,  linear perspective, \Heliocentric Theory, humour, satire,  spiritually significant, illuminated manuscriptidealized biblical themes, scriptorium, emotion, illuminator,  iconoclast, Age of Discovery, Virgin and Child, axonometric drawing, curiosity about the natural world,  realistic use of colours and lightOld Testament stories, Gospel parables, The Blackdeath,  Christian symbolism


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ref. The Childrens' Story of the War, Volume 2, From the Battle of Mons to the Fall of Antwerp. by James Edward Parrott