ANDREA DEL
SARTO
1486-1531
High Renaissance Florentine Painter
Influences: Fra Bartolomeo, Michelangelo, and Leonardo Da Vinci
Cause of Death - Plague, "he died, aged forty-two, on the 22nd of January, 1531, and was buried very quietly by the “Brethren of the Scalzo” in the church of the S. Annunziata."
Biography of Andrea Del Sarto
Escape from King Frances
Andrea grew up in a family of tailors and cobblers. His name "Andrea del Sarto", literally means "the tailor's Andrew", sarto is the Italian word for tailor. Andrea Del Sarto's rose quickly in the ranks of Florentine painters and was in high demand while still a young painter. His reputation was so great that the King of France invited him to court. The following insight into Andrea Del Sarto life is From Giorgio Vasari's: Lives of the Most Eminent Painters, Sculptors, and Architects published in c. 1550 "The king gave him a large pension, and did everything to retain him, promising him that he should lack nothing, for he was pleased with Andrea's quickness and his satisfaction with everything. Besides this, Andrea pleased the court, doing many works for them. If he had considered his origin and the position to which Fortune had raised him, no doubt he could have attained an honourable rank, not to speak of riches. But one day, as he was doing a St. Jerome in penitence for the king's mother, some letters arrived from his wife at Florence, and he began, for some cause or another, to think of returning. He asked the king's permission to go, saying that he would return when he had arranged some affairs, and that he would bring back his wife, to enable him to live there more comfortably, and that he would bring with him valuable paintings and sculptures. The king trusted him, and gave him money, while Andrea swore on the Gospels to return in a few months. Arrived in Florence, he enjoyed his wife, his friends and the city for several months. When the time for his return to France had passed, he found that in building and pleasures, without working, he had spent all his money and the king's also. But though he wished to return, the tears and entreaties of his wife prevailed more than his own needs and his promise to the king. Francis became so angry at his faithlessness that he for a long time looked askance at Florentine painters, and he swore that if Andrea ever fell into his hands he would have more pain than pleasure, in spite of all his ability. Thus Andrea remained in Florence, fallen very low from his high station, and maintaining himself as best he could."
The Siege of Florence
Andrea Del Sarto lived during troubled and restless times. The world was in transition. The outdated feudal order imposed by the Church was buckling under the expansion of towns, the rise of the merchant class, the emergence of national states, the spread of religious reform and invention of the printing press. People were becoming fascinated with science, art, political affairs and travel to far off lands. Andrea Del Sarto was born at the beginning of the modern world. In his life time he was recognized as one of the most greatest painters in the history of art.
Florence, Andrea Del Sarto's hometown was subject to invasion and political intrigue. Historian, Leader Scott, describes Andrea Del Sarto's life during the infamous Siege of Florence, "During the siege, work was found for artists, but of an unpleasant nature. Andrea was commissioned, in 1530, to paint the effigies of some traitors on the palace of the Signoria. He dared not refuse, but remembering that his namesake, Andrea del Castagno, who had been similarly employed, gained the name of “Andrea degli Impiccati,” he was anxious that the same name should not attach to himself. Accordingly he had an enclosed platform made, and giving out that his pupil, Bernardino del Buda, was going to paint the effigies, he worked at them himself secretly, till, on being uncovered, they seemed to be real persons writhing on the gibbet."
Plague
Although Andrea del
Sarto had survived the
siege of Florence he and
his beautiful wife had
gone without food for
days and like the other
residents had lost many
pounds. When the plague
struck the city in
1531 thousands perished
and Andrea was among
them. Renaissance
scholar, Amy Steedman, describes his
last few days thusly "Perhaps
Andrea had suffered for
want of good food during
the siege, perhaps he
was overworked and
tired; but, whatever was
the cause, he was one of
the first to be seized
by that terrible
disease. Alone he fought
the enemy, and alone he
died. Lucrezia had left
him as soon as he fell
ill, for she feared the
deadly plague, and
Andrea gladly let her
go, for he loved her to
the last with the same
great unselfish love. So
passed away the
faultless painter, and
his was the last great
name engraved upon that
golden record of
Florentine Art which had
made Florence famous in
the eyes of the world.
Other artists came after
him, but Art was on the
wane in the City of
Flowers, and her glory
was slowly departing."
Key Descriptive Words and Phrases associated with the Renaissance Movement - rebirth, rediscovery of the classical world, sfumato, chiaroscuro, publication of Della Pittura, a book about the laws of mathematical perspective for artists, spiritually significant, illuminated manuscript, idealized biblical themes, scriptorium, illuminator, plague, Age of Discovery, curiosity about the natural world, realistic use of colours and light, Old Testament stories, ethereal and foggy backgrounds, Gospel parables, romanticized landscapes, Christian symbolism.
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