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Giulio Campi
1500-1572
Venetian Painter and
Architect of
the
High Renaissance
Stylistically influenced
by the following
painters -
Raphael,
Giulio Roman, Leonardo da Vinci,
Pordenone and
Parmigianinoa
Education - apprenticed
to
his father, Galeazzo and
later worked under
Renaissance master,
Giulio Romano
Cause of Death -
Old
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Biography
Giulio Campi came from a long line of distinguished
painters and fine craftsmen. He was a striking young man, famous for
his eye-catching good looks, piety and technical virtuosity. From an
early age he demonstrated extraordinary
artistic gifts and after training with his father, Galeazzo, he was sent to
Mantua to be trained under the legendary
Renaissance master
Giulio Roman. He
worked occasionally in Rome but primarily in Cremona, a city in northern
Italy, situated in Lombardy. Establishing himself as a painter of church
commissioned biblically themed frescoes and panel portraiture. His
dazzling paintings and frescoes were influential in the artistic
development of many Italian painters who came after him, most notably
his sons and grandsons. Campi's 'The Raising of Lazarus', circa 1547, is
one of the greatest masterpieces of the High Renaissance.
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About The High Renaissance
Period
The Renaissance marks the
victory of individualism and the uncompromising prominence of he
individual. Artists of the Renaissance were elevated in social standing and their art was
no longer looked upon as
simple handicrafts, but as divinely inspired creations. The spirit of an era
awoke, revitalized with knowledge and creativity. The major painters of
the Renaissance were not only artists but men of great genius who gave
the world their great intellectual gifts. Florentine and Venetian
painting were both formed by extraordinary personalities. These men
tackled mathematical, artistic and philosophical problems of the highest
interest, and presented solutions that have never lost their value. A
new philosophy and way of thinking called "humanism" emerged. Stimulated
by a flood of interest in classical knowledge. According to the
late writer, Christopher Dawson, "For humanism also appeals to man as
man. It seeks to liberate the universal qualities of human nature from
the narrow limitations of blood and soil and class and to create a
common language and a common culture in which men can realize their
common humanity." The sense of humanism
pervading renaissance painting is still palpable. The painters touched on a
multitude of issues regarding the human condition - death, love,
reason, religion, universal morality, social problems.
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Key Descriptive Words
and Phrases associated
with the Renaissance
Movement -
rebirth,
rediscovery of the classical world, publication of Della
Pittura, a book about the laws of mathematical perspective for
artists, sfumato, chiaroscuro, spiritually
significant,
illuminated
manuscript, idealized biblical themes,
scriptorium,
illuminator,
Age of Discovery, curiosity about the natural world, realistic use of colours and
light, Old Testament stories, ethereal and
foggy backgrounds,
The Blackdeath,
Gospel parables, romanticized landscapes,
Christian symbolism.
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