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Domenico Brusasorci
also known as Domenico
Ricci of Riccio
1516-1587
Italian, Veronese,
Mannerist High Renaissance
Painter
Stylistically influenced
by the following
painters - Giulio
Romano,
Parmigianinoa,
Agnolo Bronzino,
Titian and
Giovanni Rosso
Fiorentino
Education - he learned
the basics in his
fathers studio, a minor
painter called Agostino
Riccio. Later worked and
studied under Giovanni
Francesco Caroto then
finally, when his talent
was certain, under
Renaissance master
Giulio Romano
Cause of Death - unknown |
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Biography
Domenico Brusasorci or
Domenico Ricci (he is known by both names) was among the great masters of the
Renaissance. He traveled intermittently in and around Verona, Vicenza
and Rome, securing religious commissions as he went along. His work
primarily focused on biblical themes that affirm religious
doctrine advocated by the Catholic church. He worked primarily painting
altarpieces and fresco for local chapels. In terms of style, Brusasorci
moved away from High Renaissance artists such as
Michelangelo or
Raphael
toward a more flamboyant and emotionally experimental style. Brusasorci's
mannerist style is characterized by elongated limbs, thin aquiline
noses, overly stylized figures, undersized heads, electrifying, vibrant
colors and elaborately mannered, theatrical compositions. Mannerism is
an artistic style that surfaced after the Sack of Rome on May 6 1527,
when Charles V, Holy Roman Emperor, descended upon Rome looting,
plundering and massacring. Many great artworks were destroyed or carted
off. The term mannerism comes from the Italian maniera, which translates
to 'style. This senseless slaughter unhinged Renaissance confidence, humanism
and their way of thinking to the core.
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About The High Renaissance
Period
There is a spirit of
general growth and enlightenment Artists of the Renaissance were elevated in social standing and their art was
no longer looked upon as
simple handicrafts, but as divinely inspired creations. The spirit of an era
awoke, revitalized with knowledge and creativity. Although art still
served a specific functions, which were primarily religious, painters
added more of their individual spirit and personal vision to their
creations.
John Ruskin,
famous art historian stated, "The
art of any country is the exponent of its social and political virtues .
The art, or general productive and formative energy, of any country, is
an exact exponent of its ethical life. you can have noble art only from
noble persons, associated under laws fitted to their time and
circumstance."
The major painters of
the Renaissance were not only artists but men of great genius who gave
the world their great intellectual gifts. Florentine and Venetian
painting were both formed by extraordinary personalities. These
independent creative geniuses tackled mathematical, artistic and philosophical problems of the highest
interest, and presented solutions that have never lost their value. The
greatest Renaissance master,
Leonardo da Vinci
declared "You will never have a greater or lesser dominion than that
over yourself. . . . the height of a man's success is gauged by his
self-mastery; the depth of his failure by his self-abandonment. . . .
And this law is the expression of eternal justice. He who cannot
establish dominion over himself will have no dominion over others." The sense of humanism
pervading renaissance painting is still palpable. The painters touched on a
multitude of issues regarding the human condition - death, love,
reason, religion, universal morality, social problems.
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Key Descriptive Words
and Phrases associated
with the Renaissance
Movement -
rebirth,
rediscovery of the classical world, publication of Della
Pittura, a book about the laws of mathematical perspective for
artists, sfumato, chiaroscuro,
Savonarola, spiritually
significant,
illuminated
manuscript, idealized biblical themes,
scriptorium,
illuminator,
Age of Discovery,
axonometric drawing, curiosity about the natural world, realistic use of colours and
light, Bonfire of the Vanities, Old Testament stories, ethereal and
foggy backgrounds, Gospel parables,
The Blackdeath,
romanticized landscapes,
Christian symbolism.
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